Art Brut sings of 'Moving to LA', Tears Down the House at Spaceland - Good Start!
Everything was lined up to ensure Art Brut actually does move to LA. It was easy to predict the summer weather in the middle of November, all the right people lined up at the oh-so-trendy Spaceland, the general consensus that it’s cool to be up on the latest British import. The one thing that can’t be predicted is how the self-congratulatory, self-proclaimed jaded LA audience will react to a new band. We in LA have heard it all, we know what Brit-pop is… what a hideous ridiculous term especially since one out of every three bands in LA now seems to define themselves as one!
He’s considering a move to LA! He’s considering a move to LA!’ It’s true, it’s right there in the lyrics. For the first time in months everyone in a trendy LA nightclub is laughing, pogoing (that’s right, pogoing…you know hopping up and down like an idiot on a pogo stick), sweating, yelling out along to the music pretending we know the lyrics when actually we have no idea what the intense, crazed – and now our new hero - Argos is saying. Did I mention I kinda like their song ‘Moving to LA’?
Always a good sign when in line for the loo I hear comments like, ‘oh yeah, I knew about Art Brut a few months ago, one of my favorites!’ Or the girl next to me shouting out ‘Emily Kane! Emily Kane!’ through the whole set. Yes we get it, you know of one of their songs, you’re brilliant! No worries, we’re dancing! A band with a sense of humor….finally at last it is safe to listen to live music again! We don’t know whether to laugh or sing or both and what does it matter anyway?
Emily Kane’, an ironically upbeat lament about frontman Eddie Argos’ ex-girlfriend is by far their most known song, and got the whole place singing along. In ‘Formed a Band’, Eddie demands that we all do so immediately, and at the time it seemed to make sense.
Freddy’s clear power baselines and the unexpectedly playful guitar textures resonated with more of a 70s LA punk sound than 80s rehash, even had some riffs coincidentally reminicient of LA’s favorite local icons ‘X’ so connected especially well with this crowd. ‘Bang, Bang, Rock & Roll’ seemed to be the all out riotous favorite. So much has been said about the riveting Argos, but what actually pulled it all together was how the ensemble played such sharp full riffs (such a relief from the jagged sparse pseudo Futureheads wave), so effortlessly as a whole…and there’s that ‘f’ word again…were obviously having so much fun!