THE HOLY COWS OF KATHMANDU

Satis Shroff
Kathmandu without its gay and colourful vegetable dealers and the holy cows, those constant characters, that have featured in almost all paintings, sketches, photographs and books on Nepal will soon be a thing of the past.

The ecological minded mayor of Kathmandu rounded up 88 stray cows and has auctioned them outside Kathmandu Valley. The auction yielded 64,460 rupees to the Kathmandu municipality. The holy cows of Kathmandu have been declared as public nuisances and obstruction to the traffic in the city.

Till recently, the cows of Kathmandu walked at a leisurely gait with that notable air of nonchalance which all Nepalese high-brow cows possess because they're revered and worshipped by the Hindus.

During my summer holidays I happened to be in Kathmandu seeping in the symphony of colour, noise and sights of Kathmandu perched smack in the middle of Indrachowk.

The noise emitted by the haggling vendors and customers, the high pitched bells of the temples mingling with the honks of scooters, and the sound of bamboo flutes, and the occasional moo of a languidly straying cow who love the vegetable market. This was the sound that I had missed in Freiburg. The smell of burning sandalwood incense sticks, steaming momos, mangoes, gauvas and lotus, marigold and magnolias permeated the air. Add to this cacaphony the unruffled tourists and you get a picture of the pulsating life in this Himalayan bazaar.

In the meantime, another cow, this time a white one with pink ears but hopelessly bent horns, tried to go through a bevy of giggling saffron-wrapped college girls.

The flying vegetable market in Kathmandu is a shanty affair with make-shift transitory shops because the policeman keeps on telling them to park their vegetables elsewhere. Kathmandu has its supermarkets and discount-shops, but most of the Nepalese don't want to miss the charms of Asal Tole, where there are no fixed priced and where one can haggle and chat with the vegetable vendors in Nepali and Newari.

A steel-blue Ford cruised by noiselessly like a ghost of a battleship. The indigenous push-cart dubbed gurkha-jeep rumbled by, pushed by brawny Tamang porters. Nearby, a small Japoo-child in his birthday suit prodded a big brown cow with a puny stick.

Right near where I was perched was a local Jyapoo (Newari farmer) selling yellow bananas. The bananas looked ripe and the Jyapoo looked prosperous. The good man was busy haggling with his customer: a fat, supercilious Rana lady, and that was when a cow appeared and started munching the bananas without as much as a moo.


Half a comb of bananas later, the Jyapoo finally saw the cool cow. What he did next was utterly remarkable. He performed what might be best described as a VTO. He took of from the ground like a British Harrier jet and then thundered at the calm cow. She galloped off like a horse. But that wasn't the end of it.

The frightened cow bolted like an unguided missile through the commuters, pedestrians and what-have-yous in the alleys of Kathmandu in its fright. A cyclist was knocked down and quite a number of Hindus and Buddhists got edgy because of the onrushing cow. Our Jyapoo was plainly perturbed and looked plain stupid, blinked uncertainly, "Kay garney? Upai chaina! What shall I do? There's no way out of this mess!"

Cows are regarded as holy and worshipped as mother-cow by the Hindus and give milk, yoghurt, butter, holy urine and dung. According to a legend, a Nepalese king ordered cows to be set free in the streets of Kathmandu by families in mourning to share the pain of the death of a young prince. And since then children in Kathmandu Valley disguise themselves as grotesque cows and motley figures and dance to make the queen laugh. The queen in the legend is long dead but the cow-festival 'Gaijatra' remains.

As you walk the streets of Kathmandu, along Asan Tole, Indrachowk and Basantapur near the Freak Street, which is actually called Jhoche Tole, you see the old Newari women with golden pierced ears and children watching you with a curiosity from the artistically carved wooden windows. You cannot help feel being watched, because the doors of Kathmandu have the all-seeing eyes of the primordeal Buddha painted on them.

Below every house leading into the streets, you see shops selling almost everything: from textiles, electronic goods, pots and pans, and outsized gagros (copper vases for ritual ceremonies and festivals). The carpets are eye-catching despite that fact that the colourful ethnic dragons, snow lions and mandalas are disappearing to suit European living rooms in pastel-colours ordered per fax. There are souvenirs on display such as: curved Gurkha khukris, statues of temples, tantric gods in ecstatic poses, gargoyles, thankas (icons), Buddhas and animals in bronze and messing. The entire temples and altars seem to be on-sale. And the gods seem to be moving out.

And out in the distance beyond the forest of Nagarjun: the silence of the Himalayas, revered and worshipped by the Hindus and Buddhists.
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Satis Shroff

Satis Shroff teaches Creative Writing in Freiburg and is the published author of three books on www.Lulu.com: Im Schatten des Himalaya (book of poems in German), Through Nepalese Eyes (travelogue), Katmandu, Katmandu (poetry and prose anthology by Nepalese authors, edited by Satis Shroff). His lyrical works have been published in literary poetry sites: Slow Trains, International Zeitschrift, World Poetry Society (WPS), New Writing North, Muses Review, The Megaphone, Pen Himalaya, Interpoetry. Satis Shroff is a member of "Writers of Peace", poets, essayists, novelists (PEN), World Poetry Society (WPS) and The Asian Writer.

Satis Shroff is a poet and writer based in Freiburg (poems, fiction, non-fiction) who also writes on ecological, ethno-medical, culture-ethnological themes. He has studied Zoology and Botany in Nepal, Medicine and Social Sciences in Germany and Creative Writing in Freiburg and the United Kingdom. He describes himself as a mediator between western and eastern cultures and sees his future as a writer and poet. Since literature is one of the most important means of cross-cultural learning, he is dedicated to promoting and creating awareness for Creative Writing and transcultural togetherness in his writings, and in preserving an attitude of Miteinander in this world. He lectures in Basle (Switzerland) and in Germany at the Akademie für medizinische Berufe (University Klinikum Freiburg) Satis Shroff was awarded the German Academic Exchange Prize.

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